Constellations: Racial myths land and labour

2024 September 21 - December 15
Esker Foundation, Calgary
Carl Beam, David Blandy, Andrea Chung, Minerva Cuevas, Aria Dean, Inyang Essien, Andil Gosine, Deborah Jack, Dinh Q. Lê, Candice Lin, Daniela Ortiz, Chanell Stone, Hank Willis Thomas, Jeff Thomas, Bo Wang & Lu Pan, Carrie Mae Weems, Connie Zheng

Constellations are groups of stars that form conspicuous patterns. In the exhibition’s title, Constellations is a metaphor for early European colonialism’s configuration of racialization, with land and labour. The project of early European colonialism depended upon the invention and inscription of racial categories to justify its methods— non-Europeans being conceived of as lesser humans. Beginning in Africa, European colonialism set off extractive practices, changing the physical landscape of the Americas, Africa, and Asia. Racialization was instrumental in enslavement and indenture cementing anti-Black and other forms of racism. The material and social conditions created by this pattern continues today. Artists’ works in Constellations: Racial myths, land, and labour look at the connected nature of racemaking through a series of thematic areas. Not leaving trauma and the sum of this history to inscribe identity, artists’ explorations of themes also powerfully express self-definition, reclamation, agency, and beauty.
Read full exhibition text in Esker Foundation brochure.

Connie Zheng, Routes/Roots, 2021. Mixed media on cyanotype and silkscreen print. 10’ x 5’. Made with production support from Brian von Bargen and Jud Bergeron. Photography by Jenna Garrett and the Minnesota Street Project.

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Installation view, Constellations: Racial myths, land and labour
Photo by Blaine Campbell

Installation view, Constellations: Racial myths, land and labour
Photo by Blaine Campbell

Detail, La Charada China
Photo by Blaine Campbell

Installation view, Constellations: Racial myths, land and labour
Photo by Blaine Campbell

Installation view, Constellations: Racial myths, land and labour
Photo by Blaine Campbell

Foreground: Aria Dean, Dead zone 4, 2019, cotton branch, polyurethane, bell jar, wood, and signal jammer
Background: Hank Willis Thomas, A Place to Call Home, 2014, screenprint and carborundrum on paper
Photo by Blaine Campbell

Daniela Ortiz, The Rebellion of the Roots, 2021-ongoing, 24 paintings, acrylic on wood
Photo by Blaine Campbell

Dinh Q. Lê, The Colony, 2016, three channel video installation
Photo by Blaine Campbell

Dinh Q. Lê, The Colony, 2016, three channel video installation
Photo by Blaine Campbell

Andrea Chung, Proverbs 12:22, 2019, sugar, beads, rice, herbs, spices and paper
Photo by Blaine Campbell

Carl Beam, L to R
Columbus and Bees (from the Columbus Suite), 1990
Columbus miinwaa Aamoog (Columbus Aajikinigan), 1990
Etchings on Arches paper
Photo by Blaine Campbell

Candice Lin, La Charada China, 2018
Earth, clay, guano, cement, seeds of various plants, grow lights, reflective mylar, wooden armature, grid, glass jars, video (13 minutes 44 seconds)
Photo by Blaine Campbell

Installation view, Constellations: Racial myths, land and labour
Series on Left: Carrie Mae Weems, From Here I Saw What Happened and I Cried (photo documentation prohibited by National Gallery of Canada)
Photo by Blaine Campbell

Andil Gosine, Cane Portraiture (Made in Love), 2013, colour photographs
Photo by Blaine Campbell

Installation view, Constellations: Racial myths, land and labour
Photo by Blaine Campbell

Installation view, Constellations: Racial myths, land and labour
Photo by Blaine Campbell

Daniela Ortiz, The Rebellion of the Roots, 2021-ongoing, 24 paintings, acrylic on wood
Photo by Blaine Campbell

Dinh Q. Lê, The Colony, 2016, three channel video installation
Photo by Blaine Campbell

Bo Wang and Lu Pan, Miasma, Plants and Export Paintings, 2017, two Channel Video (28min) and installation elements
Photo by Blaine Campbell

Andrea Chung, Proverbs 12:22, 2019, sugar, beads, rice, herbs, spices and paper
Photo by Blaine Campbell

Andrea Chung, Proverbs 12:22, 2019, sugar, beads, rice, herbs, spices and paper
Photo by Blaine Campbell

Minerva Cuevas, Del Montte—Bananeras, 2003/10, acrylic paint on wall
Photo by Blaine Campbell

Detail, La Charada China
Photo by Blaine Campbell

Deborah Jack, Foremothers, 2002, salt, digital print, wood, glass
Photo by Blaine Campbell

Inyang Essien, Our Rice, 2020, colour photographs
Photo by Blaine Campbell

Jeff Thomas: Selected works from Bear Portraits, 1984-ongoing
L to R: Little White Lies; Indian Treaty No. 1; Lower Fort Garry, Winnipeg, Manitoba; Canada Day; Making a GPS Reading; Samuel de Champlain; Searching for the Head of the Grand River, Corbetton
Photo by Blaine Campbell

Chanell Stone, 2019, In search of a certain Eden, part of the Natura Negra series, inkjet print
Photo by Blaine Campbell

Daniela Ortiz, The Rebellion of the Roots, 2021-ongoing, 24 paintings, acrylic on wood
Photo by Blaine Campbell

David Blandy, Gathering Storm: The Archive, 2022-2024, game, archival photographs, text, game table
Photo by Blaine Campbell

Bo Wang and Lu Pan, Miasma, Plants and Export Paintings, 2017, two Channel Video (28min) and installation elements
Photo by Blaine Campbell

Detail Miasma, Plants and Export Paintings
Photograph by Blaine Campbell